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In lieu of an abstract, here is a brief excerpt of the content: The Southern Literary Journal Edited by Joanne V. UP of Virginia, In the last few years, African American literature has lost three of its most celebrated and eloquent poets: This remarkably well-conceived volume, whose title alludes to Brooks' poem "Second Sermon on the Warpland," pays homage to the vitality of these women's works, to the cultural wealth of African Americans, and to the longstanding tradition of African American poetry.
In her introduction, Gabbin observes that "whether Gwendolyn Brooks intended it or not, the term furious flower is a stunning metaphor for African American poetry because it implies a literature that is both rageful and resolute in its beauty.
Gabbin also sprinkles lively conversations held with Michael S. The seeds for this volume were planted in at a conference entitled "Furious Flower: Conscious of African American poetry's "power to charge our intellect with new ideas, excite our senses, change our hearts, and move us into action," Gabbin selected essays and conversations she believes contribute to "the task of assessing the health of African American poetry and building a larger critical framework in which to discuss it.
In fact, many of the essays and conversations found in this work take the African American musical tradition as their subject. Kalamu Ya Salaam's "Langston Hughes: Harper, included in part one, explore how African American poets transform music--what Gabbin calls " the major vernacular idiom"--into poetry.
Calling Langston Hughes "the prolific Duke Ellington of black poetry," Ya Salaam examines Hughes' collection of poems, Montage of a Dream Deferred, and convincingly argues that Hughes' written adaptations of jazz in this work reveal this poet's capacity for writing revolutionary, innovative, and liberating poetry rooted in African American culture.
Russell's essay adds another dimension to Ya Salaam's analysis of Hughes' relationship to the blues and jazz. In spite of the two poets' ostensible aesthetic and thematic differences, their poetry demonstrates the culturally unifying potential inherent in the complex rhythms, forms, and phrasing of blues and jazz.
Music also informs many theoretical approaches to reading and interpreting African American poetry.
In her essay "Bantu, Nkodi, Ndungu, and Nganga: Joyce contends that theories about African American poetry should "be grounded in black folk or popular If you would like to authenticate using a different subscribed institution that supports Shibboleth authentication or have your own login and password to Project MUSE, click 'Authenticate'.
You are not currently authenticated. View freely available titles:Download Citation on ResearchGate | On Nov 1, , Carole Anne Taylor and others published Critical Essays on Alice Walker }. Introduction: Alice Walker, Pygmalion in Reverse by Ikenna Dieke Occupational Hazard: Loss of Historical Context in Twentieth-Century Feminist Readings, and a New Reading of the Heroine's Story in Alice Walker's THE COLOR PURPLE by Dror Abend-David Heritage and Deracination in Walker's "Everyday Use.
[worldcatorg], get this from a library! critical essays on alice walker [ikenna dieke;] Critical essays on alice walker / edited by ikenna trove, trove: find and get australian resources books, images, historic newspapers, maps, archives and more.
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Critical Essays on Alice Walker (Hardcover) / Author: Ikenna Dieke ; ; Poetry & poets, Literature: history & criticism, Language & Literature, Books. Critical Essays on Alice Walker by Dieke, Ikenna available in Hardcover on regardbouddhiste.com, also read synopsis and reviews.
Highlights the essential elements of Alice Walker's prolific imagination by analyzing both her.