Search About Contemporary Theatre Review is an international peer-reviewed journal that engages with the crucial issues and innovations in theatre today.
How do we live in our time? Essays by Carey Upton on how to create in our time and how to create our now. There is an outtake that links to this one: You find your seat down toward the front because you paid a little more for your tickets to be close to the actors.
You settle into your comfortable theater seat. The audience is buzzing. After a moment, the house lights dim and a hush falls over the crowd.
The stage lights come up or the curtain rises. The set is the interior of a modest home. It is not exactly naturalistic, though clearly a home with designed accents. The clothes they wear fit the house setting. The language is familiar and colloquial like you speak in your home.
They do not address the audience. You are there to see the play. You are an observer of the play. At this edge of the early 21st century, we would call this a traditional theatre experience. It is familiar, not one of those experimental, avant garde productions.
This experience that we call theater is still relatively new. It is only about a hundred years old. Or, at the least find this new theater a novelty unlike what he did.
Sophocles, Moliere and all of the great actors of the 19th century would have the same response. The theatre we call traditional is wildly divergent from what came before.
It became a more realistic and psychologically connected experience.
And yet, we lost some vital aspects of theatre in the translation. I believe for theatre to meet the requirements of expressing what it is to live in the 21st Century and to remain vital, we need to go back and reclaim some of what made theatre theatre before the turn of the last century.
The early seed of the shift to realistic theatre began with a look back at Shakespearean production practices. The rise of the regional theatre movement in this country took a look back.Theater has Changed In a Modern Theater: My primary frame of reference is theatre and Shakespeare.
While these essays are for anyone who is asking questions about our time, it is focused on creative artists whose responsibility it is to guide the rest of us how to live in our time. As Shakespeare led us to the Modern, we need guides to.
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Shakespeare in Contemporary Movies In the middle of Looking for Richard, Al Pacino's documentary about making Richard III and bringing Shakespeare to the people, there is a moment which illuminates the relationship of scholarship, Shakespeare and popular culture.