Kate Chopin was one of the modern writers of her time, one who wrote novels concentrating on the common social matters related to women. Her time period consisted of other female authors that focused on the same central theme during the era: A literary work approached by the feminist critique seeks to raise awareness of the importance and higher qualities of women.
Yet those three pages remain tantalisingly ambiguous, perhaps because so little is said, so much merely hinted at. Written in April and originally published in Vogue in December of that year, the story focuses on an hour in the life of a married woman who has just learnt that her husband has apparently died.
What happens in that brief hour, that story of an hour? A married woman, Mrs Louise Mallard, who has heart trouble, learns that her husband has died in a railroad accident. Her first reaction is to weep at the news that her husband is dead; she then takes herself off to her room to be alone.
She sinks into an armchair and finds herself attuned to a series of sensations: Then, gradually, a feeling begins to form within her: Now her husband is dead, it seems, she feels free.
She reflects that she had loved her husband — sometimes. But then, her sister Josephine calls from outside the door for her to come out, worried that Louise is making herself ill. She used to dread the prospect of living to a ripe old age, but now she welcomes such a prospect.
Eventually she opens the door and she and Josephine go back downstairs. Richards is still down there, waiting for them. It turns out he was nowhere near the scene of the railroad accident, and is unharmed! In a shock twist, it is his wife who dies, upon learning that he is still alive.
Is this her way of coping with traumatic news — to try to look for the silver lining in a very black cloud? But this impressionistic style — which is more interested in patterns of thought, daydreaming, and emotional responses to the world than in tightly structured plots — continues right until the end of the story.
Consider the final sentence of the story: So it was not joy but disappointment, if anything, that brought on the heart attack that killed her. But the presumably male doctors who attended her death would not have assumed any such thing:The Story of an Hour, by Kate Chopin - “The Story of an Hour” is a stark display of female rejection of the norms of society.
This work, by Kate Chopin, begins with a woman going through the stages of grief for her husband’s death.
Home» Literature» Fiction» Literary Analysis of “Story of an Hour” by Kate Chopin: Language, As the thesis statement for this essay on “The Story of an Hour” by Kate Chopin makes clear, the language constructs the reader’s understanding of her character.
and focus on her inner-life, which depicts a sad portrait of. Kate Chopin’s The Awakening was a bold piece of fiction in its time, and protagonist Edna Pontellier was a controversial character.
She upset many nineteenth century expectations for women and their supposed roles. One of her most shocking actions was her denial of her role as a mother and wife.
Kate Chopin's second short story, "The Story of an Hour," takes place in the space of an hour, during which a wife comes to terms with the death of her husband. Upon the news of her husband's death, she wept with "wild abandonment" (12).
Mustafa Aslan THE WAY TOWARDS BITTER LIBERATION In this particular inquiry an exertion will be given in order to analyze The Story of an Hour written by Kate Chopin and Hills Like White Elephants written by Ernest Hemingway, within the feminist literary approach.
Kate Chopin’s The Story of In Kate Chopin’s short story “The Story of an Hour,” there is much irony. The first irony detected is in the way that Louise reacts to the news of the death of her husband, Brently Mallard.